In 1934, a few months after his arrival in New York, George Balanchine choreographed “Serenade.” It was his first ballet for American dancers, a seminal work that marked the way he was to reshape and ...
Performances in N.Y.C. Advertisement Supported by An Appraisal Chita Rivera saw herself as a dancer, and that’s fitting: Her early ballet training was her secret weapon — and it never left her body.
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook New York City Ballet wrapped up its 75th anniversary celebration at Lincoln Center this spring with a look to the future. But it ...
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